Posts Tagged ‘Dirty Redd’

During my time covering the Raider Klan I’ve had a lot of people ask me “what’s so exceptional about them?,” or “why are you wasting time covering teenagers when there are great artists, more seasoned artists, putting out high quality projects in 2012?”  My initial response to those people is, well, I cover them too.  I have written reviews and lauded praise on the likes of Ka, Billy Woods, Illogic, El-P, Killer Mike, Jackie Chain, SL Jones and many others this year who have years in the game and release a refined high quality product.    Actually, the only Raider Klan related album that I’ve put up for “Best of a Quarter” honors was SpaceGhost’s Mysterious Phonk, hardly a lo-fi bedroom studio endeavor.

However, with Raider Klan my interest goes a little deeper than just the quality of their product.  Raider Klan represents a group of young people across the country who feel they fit outside of the general rap aesthetics of the mainstream, some of their music – though admittedly not all – attests to this.  I admit there is a lot to sift through with Raider Klan, there are a dozens of members, a t least a couple dozen of whom make music, dozens of mixtapes, thousands of tracks on youtube, lots of klvn, 2.7.5., & BRK handles to sift through on twitter to figure out who’s in, who’s out, who’s really in, and which rappers are the rappers one needs to pay the most attention.  The other aspect that won’t intrigue many of my normal readers is that the Raider Klan as a collective are, generally, fairly disinterested in lyricism for the sake of lyricism.  While it’s hard to speak on them collectively – since there are at least twenty five or thirty of them making music – most of them prize style over substance, and most of their substance strokes are broad and indefinite.  Their primary concern musically is the ultimate quest for the phonk, the ability to convey the appropriate musical vibe the marriage of the vocal performance and the beat.  In an era when so much rap is devoid of a strong relationship with it’s musical ancestry, the Raider Klan members are hyper conscious of their roots, and paying homage to those who came before them.  Where else in 20120 can you hear a Bone Thugs influenced rapper, alongside an Ice Cube influenced rapper, alongside a Boss influenced rapper, over a g-funk track fashioned by a midwest producer and have them all be open and honest about the rappers they’re channeling and who truly influences them.  What’s more impressive is that they manage to do this without sounding like a bunch of dinosaurs trying to revive their youth or a bunch of new jacks sharking an aesthetic without any sense of the history behind it.  For those with whom the 90’s shtick may wear a bit thin, especially those of us who lived through the 90’s first hand, they actually make some very good music that competes with their contemporaries quite well on a modern playing field.

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