Posts Tagged ‘The Wolf Gang’s Rodolphe’

The distinction between albums, LPs, EPs, and mixtapes was at it’s cloudiest point to date in 2012, and there is relatively no chance that any of those distinctions crystallize into something meaningful ever again.  The reality is that these days most rappers put together “projects,” and those projects either get released for free or they get released for a fee.  Among the projects that get released for free are those where a rapper raps over other people’s instrumentals or samples he or she has no intention of trying to clear.  There are also projects labeled as mixtapes or given away for free, that have entirely original production that get released for free and some of those projects ended up on Hardwood Blacktop’s Best 15 Albums of 2012 list.  To be honest, I’m not overly concerned with those distinctions anymore other than the fact that those of us who like to write about rap like to have a way to differentiate between certain types of releases for the purpose of end of the year lists and things like that.  So here are my picks for best mixtapes of 2012, by my own current loosely defined understanding of that term, which does not necessarily take into account whether a rapper deemed something a mixtape or not (but it might).  In general these projects are not of nearly as high quality as the top albums of 2012, otherwise they would’ve made that list, as you can see from that list there are a couple of “albums” that made the cut that most would classify as mixtapes (Sunday School, ParaphernaliaGod of Black EP, MMM Season).  If you’re keeping score at home, those projects would have been at the top of this list.

Meek Mill featuring Big Sean – “Burn”

1. Meek Mill – Dreamchasers 2 – Download

Sometimes a rapper’s (Jadakiss, Fabolous, and Joe Budden just to name a few) game just translates a little bit better to the mixtape circuit than it does to album making.  Whether that has to do with them being better situated to making “street singles” than it does to them making tracks for the club or radio, or whether it has to do with the lack of record label oversight in the mixtape process, or whether the DJs they work with in the mixtape process are actually better A&R’s than their record label A&R’s, the end result is a consistently better free product vs. fee product. It’s too early to say that Meek Mill will always fall into that category as his major label debut Dreams & Nightmares certainly showed promise and contained some great individual songs (“Dreams & Nightmares (Intro)” and “Traumatized”).  There is no doubt though that in 2012, Meek dropped another mixtape (he’s done this a few times before) that was better than a vast majority of the albums that came out in the same year.  Perhaps the most interesting part of Meek as a mixtape artist is that he’s not just someone who drops a flurry of battle-ready sixteens over a bunch of other people’s instrumentals. In fact, some of his best radio singles have been the result of his mixtape work over the last couple of years, hits like last year’s “House Party,” “Tupac Back” and “I’m A Boss” and this year’s “Burn,” “Amen,” and “Flexing” all came from his mixtapes or from the MMG compilations.  By contrast  only  from the first MMG compilation (a mixtape-like project) has really garnered the same buzz.  And while his label has pushed the hell out of “Young and Gettin’ It,” there’s just no way that’s a better direction for Meek than any of the aforementioned tracks.  Dreamchasers 2 was Meek’s most complete offering to date, bringing tracks suitable to almost every type of rap listener and packing plenty of that V-12 energy we’ve come to expect from Philly’s brightest star. While it does drag on a bit as songs begin to run together a little bit after the first nine or ten tracks on the mixtape, there may not have been a better example of hungry street-oriented rapping in 2012.

Choice Cuts: “Burn,” “Amen,” “Ready Or Not,” “A1 Everything

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“Black Magic” Ethelwulf & Yung Raw

Since “Nostalgia Rap Surrealism – Decoding the RVIDXR KLVN” was published here on hardwoodblacktop.com I’ve been working to put together an interview with all of the Raider Klan members.  Initially, I planned to interview every member individually, combine their answers, and create one collective interview for the entire Raider Klan.  While this is still the intention of the project, having finished about eleven of the interviews, with plenty still to go, I realized that there’s way too much material to publish in one interview without severely editing the material down.  It also became clear to me, that with the fast moving pace of music today, and the Klan’s development, that by the time I got around to interview each member, the earliest interviews would be extremely dated.  The Memphis interviews were three of the first ones I did on the project so I thought it made sense to share them now.  And then share each of the group’s regionally, as I found throughout the process that like their music, the attitudes of the Raider Klan members is often strongly influenced by their locality, despite the group’s geographic diversity and diversity of musical influence.  It is important to note chronologically that the interview with Chris Travis was done over two months ago, Yung Raw was interviewed in the middle of June, and Ethelwulf was interviewed in mid-July.  If you haven’t yet, be sure to check out Chris Travis’s Codeine and Pizza, Yung Raw’s The Trill OG, and Ethelwulf’s The Wolf Gang’s Rodolphe as they undoubtedly represent three of the finest Raider Klan projects to date.

Link here to Part 2: NYC (Grandmilly, Matt Stoops, & Big Zeem) and Part 3: Southwest (Amber London, Eddy Baker, Sky Lex)

JB: What projects to you have coming up?

Ethelwulf:

Well actually, right now, I don’t really have anything coming up really.  Well, actually I might do this mixtape with this producer named DJ Manny Virgo.  I’ve been working with him so that’ll probably be the next thing popping up if I get to it real fast.  I don’t know what it’s going to be called yet.  I’m just waiting on him to send me the rest of the beats, it’s going to be a five track EP.  Once he sends me the rest of the beats I’ll be working on them and we can crank something out.

Chris Travis:

My next project is gonna be, I don’t know what I’m going to call it yet [editor’s note: it ended up being this past week’s Codeine and Pizza mixtape], but the theme is going to be underground horror.  I’m trying to find a producer.  I’d like one producer to producer the whole mixtape if possible.

Yung Raw:

My next project will probably drop in 2013.  I don’t know the exact time.  Most likely around Spring Break if not before Spring Break, because I want to make sure everything is down packed again, everything is perfect.  Because if your work is not perfect, if you got one bad song, and everybody can have one bad song, people can say you’re not a good rapper.  You want to make sure everything is at a good point, or your buzz can fall all the way down.  So I’m not going to rush it.  Also, you don’t want to give out too much free music, because you’ll be over and done with before it’s time to release your real album and people won’t have time to crave it and build that buzz.

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